STIRRING goes on to greater fame in 2013 and 2014!
The music track, composed by Ceridwen Suiter from one second of ambient sound recorded during Elizabeth Eastland’s filming of the visuals, struck a chord with curator Ryszard Dabek, who selected the film for the Re:Cinema exhibition for two weeks at the International Symposium of Experimental Arts (ISEA2013) in Sydney 2013, and an eight week season in New York at Parson’s New School of Design to begin 2014 on a high note!
A Country Women’ s Chorus (2013) created over three days by audio artist Ceridwen Suiter, with delegates of the inaugural National Rural Women’s Conference, at the National Convention Centre, Canberra. The content of the music is derived from the acoustic ecology of place, namely found sounds from the conference venue and field recordings of the attending delegates and their music experiences. This environmental music captures the spirit of the conference and tapestry of sounds that envelope the every day lives of Australian rural women. The newly composed music performed at the closing ceremony of the conference, provides an aural document of three days of women gathering together.
The project is an initiative of Robyn Archer, the Festival director, Centenary Celebrations of the Founding of Canberra, Australia. She sought the deliberate inclusion of the arts in many activities taking place in Canberra during the centenary celebrations. The Canberra Convention Bureau, and the Board of the National Rural Women’s Coalition and Network actively participated in making this project happen, while the conference attendees enthusiastically embraced this opportunity to participate in making new music.
PRAYER POCKET PLACE: For Heart, Hearth and Hand
Collaborative Artists: Flossie Peitsch and Ceridwen Suiter – together with many community fabricators.
Media: Mixed assemblage of aluminium, textiles, wicker, with soundscape and audio equipment.
This multi-sensory installation created by visual artist, Flossie Peitsch, and sound artist Ceridwen Suiter, features fabric and sound contributions by many women in workshops over a six month period at various locations along the South Coast.
This collaborative work literally and figuratively represents women in community.
Featuring music composed from a single sound found in the acoustic ecology of the filmed environment. Made by Ceridwen Suiter in collaboration Elizabeth Eastland (filmmaker).
Stirring will be shown as part of the Seensound 2012: a three-part Visual Music Series curated by Brigid Burke and Mark Pederson
7.30pm Wednesday May 2, 2012
at Loop Bar,
23 Meyers Place, Melbourne.
Entry $10/$5 also includes works by other artists