Progress??

Theatre for the Listening Mind, and the Thoughtful Listener.

Progress?? is a quick piece of narrative Audio Art is made from a selection of the Found Sounds around Whittlesea, Victoria supplied by composer colleague, Gary McKie, during a residency he calls The Whittlesea Sound Project.

Whittlesea, Australia, has been swallowed up by the growing outskirts of Melbourne, Victoria. Gary’s Found Sounds were recorded both in the natural environment, a major shopping shopping centre, and the ordinary daily sounds heard in a typical Aussie suburban backyard.

the project’s creative brief

The Whittlesea Sound Project is about discovering, or reconnecting to, the diverse sounds around us, as COVID-19 restrictions continue to ease, and we venture back into our communities throughout the City of Whittlesea and beyond.

Consider how being aware of the sounds around you effects your connection to place and ask yourself, “is there anything in my environment that could be changed to improve the quality of sounds and the way we are living?”

This project is supported by the Whittlesea Creative Community Fund.

Progress??

Waiting

Waiting, a setting of text by Sue Woolfe, for live performance by Hamish Gould (counter-tenor) in concert at St James Old Cathedral, West Melbourne on April 24th 2021.

The lyrics reveal the thoughts of a handyman with chronic social anxiety, who is somewhat creepily voyeuristic, as he longs to interact with the woman he loves.

 

Creative Victoria Logo

Waiting was jointly commissioned by Panoramic Music and the Melbourne Composer’s League with funding provided by the Victorian Government through Creative Victoria.

The song is composed for counter-tenor, accompanied by alto recorder, and digital samplers, all originally designed to be played live by human performers.

However, the virus times have affected the presentation of Waiting as much as anything else, in that the vocalist, Hamish Gould, wanted the concert to go ahead in any circumstances. Because of the pandemic, rehearsing and performing with other players could be problematic (given that currently Australian residents are still being infected with Covid-19).

So Hamish is live in performance and everything else is digital.

The concert begins at 4.30pm.

Ticket prices: $35 full or $20 concession.
The concert will also be live-streamed for free.

Get Tickets Here

STIRRING

Stirring_Still

Featuring music composed from a single sound found in the acoustic ecology of the filmed environment. Made by Ceridwen Suiter in collaboration Elizabeth Eastland (filmmaker).

Stirring will be shown as part of the Seensound 2012: a three-part Visual Music Series curated by Brigid Burke and Mark Pederson

7.30pm Wednesday May 2, 2012
at Loop Bar,
23 Meyers Place, Melbourne.

Entry $10/$5 also includes works by other artists