This conceptual audio piece addresses women’s visual artistic contributions for International Women’s Day 2017, on the theme: Be Bold for Change.
Sue Bessell invited 21 local women artists to contribute to a group exhibition at Project Contemporary Artspace, Keira Street, Wollongong, Australia, on the theme of Be Bold for Change. As a an audio artist, I have sought to raise consciousness of the ephemeral intangible nature of sound, while seeking to encourage women artists everywhere to be conscious of using their artwork to voice their feminist awareness.
My contribution to this exhibition lives entirely in the conceptual world. There is no particular audio for you to engage with here, except for the internal dialogue in your head about the place of art as political statement, and the boldness required of women as artists who make an explicit public addition to our culture.
The next step for you is to engage in conversation with, and encourage, women to speak out in their artwork about our gendered life experiences: to paint, sculpt, film, photograph, compose, record, and sketch their thoughts and responses, and then be bold enough to present their visual, musical, and actual voices in public places both in real life and virtual spaces such as this website.
Frances Burnham (artist) and I (Ceridwen Suiter – composer) have been in constructive conversation since 2008 on contemporary social and economic topics. We have formalised this into an ongoing collaborative arts-based project both in the physical and the virtual worlds, to extend the conversation between citizens, arts workers, and business, regarding culture and art practice, economics and social values.
For International Women’s Day 2016, our goal is to stimulate conversation about current Feminist issues as part of our ongoing project. Our installation “Flagged for Conversation” aims to stimulate conversation on 21st century issues facing women.
The conversation will begin with a performance at the exhibition opening on March 4, 2016.
Putting vision into practice, visitors to the gallery are invited to write a response: a catch phrase, a word, or to draw an icon or visual symbol on prepared and embellished green, white and purple flags, which will then become part of the installation.
Visitors are welcome to participate in our online conversation by logging into our website forum: ‘ethec’ (extending the conversation) and express their thoughts. Please note all comments will be moderated and responded to appropriately.
Prayer Pocket Place gained permanent residency in the Mt Kembla Heritage Centre on 17 December 2014. The installation was welcomed by the chairperson Elizabeth Roberts in a small informal ceremony followed by lunch in the museum. We were delighted to be entertained by well-known Mt Kembla playwright Wendy Richardson who has written about the close-knit Mt Kembla community and effects of the mining disaster.
Click to hear a one minute sample of the CD length audio art composed by Ceridwen Suiter, from on-site recordings collected from the social and mechanical sounds of the makers constructing their individual pockets during a communal lunch and workshop.
Mt Kembla Heritage Centre is a permanent keeping place of historical records and memories of the hardships faced by miners and their wives. The centre contains records of the mining disaster of 1902 which killed 94 miners and two rescuers in Australia’s largest industrial accident.
The impact on the women of Mt Kembla inspired Flossie Peitsch to design and co-ordinate the construction of the quilted fabric house and the individually sewn pockets. Many local women made their own prayer pockets to contain their personal thoughts and prayers. The collaborative installation created by Flossie Peitsch and Ceridwen Suiter, Prayer Pocket Place, was short listed for Meroogal Women’s Art Prize and has been selected for exhibition in Shoalhaven Art Gallery, Nowra; Lady Denman Museum in Huskisson NSW; as well as the Belconnen Arts Centre, ACT.
Is the growing city really progress or is it closing the door on old ways which might still be of value?
This 1 minute question mark premiered at Federation Hall, Melbourne, 9th July 2014…. as part of the 60*60 project curated by Susan Frykberg & Warren Burt for Australasian Computer Music Conference (ACMC2014).
Fine Hand-made Field Recordings carefully selected for piquancy. Recorded and Composed by Ceridwen Suiter
Technology Inspired Visuals/Soundscape by Ceridwen Suiter and Flossie Peitsch.
The Gallery exhibits itself as a post-conceptual place where ‘Artistic Expression’ squares off against ‘High Art’. Galleries amass reputations and memories as exhibitions come and go. This work taps, denotes and speaks the volumes from the gallery’s collective memory. Transitory expressions that have passed through its doors appear to linger. As surprising and distinctive forms emerge from the walls one can actually hear ideas pulse and roll to the auditory surface of the space.
Oct 8th – Oct 19th, 2013 ANU FOYER ART GALLERY
College of Arts and Social Sciences Building 105, Childers Street
The Australian National University; Canberra ACT T: +61 2 6125 5841
STIRRING goes on to greater fame in 2013 and 2014!
The music track, composed by Ceridwen Suiter from one second of ambient sound recorded during Elizabeth Eastland’s filming of the visuals, struck a chord with curator Ryszard Dabek, who selected the film for the Re:Cinema exhibition for two weeks at the International Symposium of Experimental Arts (ISEA2013) in Sydney 2013, and an eight week season in New York at Parson’s New School of Design to begin 2014 on a high note!
A Country Women’ s Chorus (2013) created over three days by audio artist Ceridwen Suiter, with delegates of the inaugural National Rural Women’s Conference, at the National Convention Centre, Canberra. The content of the music is derived from the acoustic ecology of place, namely found sounds from the conference venue and field recordings of the attending delegates and their music experiences. This environmental music captures the spirit of the conference and tapestry of sounds that envelope the every day lives of Australian rural women. The newly composed music performed at the closing ceremony of the conference, provides an aural document of three days of women gathering together.
The project is an initiative of Robyn Archer, the Festival director, Centenary Celebrations of the Founding of Canberra, Australia. She sought the deliberate inclusion of the arts in many activities taking place in Canberra during the centenary celebrations. The Canberra Convention Bureau, and the Board of the National Rural Women’s Coalition and Network actively participated in making this project happen, while the conference attendees enthusiastically embraced this opportunity to participate in making new music.
Collaborative Artists: Flossie Peitsch and Ceridwen Suiter – together with many community fabricators.
Media: Mixed assemblage of aluminium, textiles, wicker, with soundscape and audio equipment.
This multi-sensory installation created by visual artist, Flossie Peitsch, and sound artist Ceridwen Suiter, features fabric and sound contributions by many women in workshops over a six month period at various locations along the South Coast.
This collaborative work literally and figuratively represents women in community.
The piece was inspired by a series of long distance telephone conversations over many months. These conversations would run the gamut of cheerful and harmonious to being on quite different tangents on some issues. The music thus contains the underlying ideas of call and response in the melodic fragments. Yet essentially, no matter how much effort and goodwill goes into some conversations, it was impossible to find a continuous point of connection.
Presented as part of Diffuse Season 2: May-June 2012
Celebrating Sound and Music Design at University of Technology, Sydney